Arri lovește în forță

Screen Shot 2015-02-26 at 14.47.07

Da, Arri nu stă pe gânduri și nu se muțumește cu renumele deja creat, experimentează și reinventează camera exact pe nevoile pieței și mai ales acolo unde acestea, fie nu sunt acoperite, fie există deja un concurent care are deja vânzări ce amenință supremația Arri. Da, trăim într-o lume unde Arri domină piața aparatelor de filmat de când a fost născută, adică acum aproximativ un secol.Screen Shot 2015-02-26 at 15.18.28 După ce a anunțat că face un update pentru camerele Alexa și le oferă posibilitarea de a înregistra intern 3.2K în format Apple Pro Res precum și un nou algoritm de debayering care promite un mai bun raport signal to noise, dar și unul pentru Amira care-i permite să înregistreze UHD în Apple ProRes4444, Arri aduce un nou produs pe piață: Screen Shot 2015-02-26 at 14.47.32 Se numește Alexa Mini. Da, știu că mai există, dar nu e ca asta. Asta poate face tot ce face sora ei mai mare, numai că față de aceasta, cântărește numai 2.3Kg și poate fi controlată total wireless. Poate întregistra Raw intern și are niște dimensiuni de invidiat chiar și de către RED. Screen Shot 2015-02-26 at 14.50.05 Screen Shot 2015-02-26 at 14.49.46 Screen Shot 2015-02-26 at 14.49.24 Screen Shot 2015-02-26 at 14.47.51

Technical specifications

Camera type 35 format film-style digital camera with lightweight and compact carbon body, 4:3/16:9 switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangable lens mounts and ARRI Lens Data System
Dimensions Length: 185 mm/7.3″ Width: 125 mm/4.9″ Height: 140 mm/5.5″ (camera body with PL lens mount)
Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Photo sites (with surround view) 16:9 HD: 2880×1620 (3168×1772) 2K: 2868×1612 (3154×1764) 3.2K: 3200×1800 (3424×1926) 4K UHD: 3200×1800 (3424×1926)4:3 2K: 2867×2150 (3168×2160) *
Shutter Electronic shutter, 5.0° to 356.0°
Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index EI 800 base sensitivity
Filters Built-in motorized ND filters 0.6, 1.2, 2.1
Lens mounts Titanium PL mount with L-Bus connector and LDS EF mount PL mount with Hirose connector and LDS B4 mount with Hirose connector
Recording media CFast 2.0 memory cards
Recording formats HD 1920×1080 2K Cine 16:9 2048×1152 2K Cine 4:3 2048×1536 * 3.2K 3200×1800 4K UHD 3840×2160 ARRIRAW 2.8K 16:9 2880×1620 * ARRIRAW 2.8K 4:3 2880×2160 *
Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), ARRIRAW *
Recording frame rates
Recording Format Maximum Frame Rate in fps (1)
Sensor Mode Recording File Type Recording Resolution (2) Recording File Setting Internal Recording External Recorder
CFast 2.0 128 GB Codex
16:9 ProRes HD 422 200
422 HQ 200
4444 200
4444 XQ 120
2K Cine 422 200
422 HQ 200
4444 200
4444 XQ 120
3.2K 422 60
422 HQ 60
4444 60
4444 XQ 30
4K UHD 422 60
422 HQ 60
4444 60
4444 XQ 30
ARRIRAW** 2.8K 30 120
4:3** ProRes 2K Cine 422 150
422 HQ 150
4444 120
4444 XQ 60
ARRIRAW 2.8K Full 30 60
2.6K Cropped 30 60

** available with SUP 2.0 (1) Minimum frame rate is always 0.75 fps (2) The “recording resolution” determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)

Color output Rec 709, custom look or Log C
Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control Peaking, zebra, false color
White balance Manual and auto white balance
Sound level < 20 dB(A) at standard frame rates
Environmental -20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics
Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen and military-grade connector to camera
Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface *
ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors
Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops
Custom control Optional GPIO interface for integration with custom control interfaces
Power input Lemo 8-pin, 10.5-34 V DC
Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *
Inputs SDI-Genlock (optional activation through ARRI Service), timecode (in and output)
Other interfaces USB 2.0 (for usersets, looks etc.) Ethernet EXT accessory interface w. RS pin

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